SHOWOFF OPEN CALL

We discover and support emerging artists going forward. Join ShowOFF and become part of the platform for the exchange of knowledge and experiences at an international scale. It’s all about your story! #showOFFpower

 

The competition has an open format. Individuals may submit up to two projects that have never been presented, either in the form of a solo or group exhibition, at a leading art institution (i.e. museum or art gallery engaged in the promotion of artists). Entries must be submitted via Picter by January 9, 2022. From among all the submissions, the jury will select six most interesting projects which will be presented as a solo exhibition during Krakow Photomonth 2022, the festival’s special 20th edition.

 

Please view our TERMS & CONDITIONS

 

The ShowOFF Section is one of the main parts of the Krakow Photomonth Festival’s programme. By participating in the ShowOFF Section, emerging artists have the opportunity to work with recognised specialists in the field of visual arts, including the invited curators and festival organisers helping to guide the implementation of winning projects through a process spanning several months. ShowOFF provides artists with the opportunity to gain experience within a professional artistic environment, and also allows each participant to present their work to a diverse audience during a festival with international reach. To learn more about our goals, schedule and previous editions please CLICK HERE

 

 

HOW TO APPLY?

Log in or create an account on the picter.com platform, then find the ShowOFF 2022 Section and get familiar with Terms & Conditions.

Once again, we offer the possibility of submitting two projects, which will be reviewed by the jury. This is beneficial not only for undecided artists, but also for invited curators, who will be able to learn more about the work of each artist. Due to ShowOFF being an international event, entries must be submitted with English descriptions.

To complete your application, you must submit a one-time entry fee. This entry fee must be paid via Picter in the amount of:

  • 20€ for one project or 30€ for two projects for applications submitted by December 24, 2021 11:59:59 PM CET;
  • 30€ for one project or 40€ for two projects for applications submitted between December 25, 2021 and January 9, 2022 11:59:59 PM CET.

The competition results can be expected in the second half of January. We encourage you to follow our social media channels – the winners will be announced on our website and Krakow Photomonth’s social media.

Jury – ShowOFF 2022 curatorial team

INGA SCHNEIDER

INGA SCHNEIDER

MAGDALENA UJMA

MAGDALENA UJMA

IŃAKI DOMINGO

IŃAKI DOMINGO

KATARZYNA KOZYRA

KATARZYNA KOZYRA

LOLA PAPROCKA

LOLA PAPROCKA

CLARE STRAND

CLARE STRAND

Inga Schneider studied Cultural Sciences in Hildesheim (DE). Since 2006, she has been based in Cologne. She worked for PRISKA PASQUER Gallery and ran the V8 Gallery, which focused on photographic projects from Eastern Europe. As a freelance curator she has realised projects for Krakow Photomonth, the Warsaw Art Photography Festival, Environmental Photography Festival horizonte zingst,’ International Fotobookfestival Kassel, KOLGA Tbilisi Photo Festival, and the Museum Folkwang in Essen. Since 2013, she has been on the management board of Internationale Photoszene Köln, and in charge of programming for the Artist Meets Archive. She is one of the founders of the NEXT! Festival der Jungen Photoszene, a nationwide photo festival for children and young people.

Magdalena Ujma is an art critic, art historian, and curator of exhibitions of contemporary art. Since 2018, she has worked with the Centre for the Documentation of the Art of Tadeusz Kantor CRICOTEKA in Krakow, providing curatorial care for its collection; and, since 2021, she has been involved with the Jan Matejko Academy of Fine Arts in Krakow, where she oversees the periodicals Restart and Elements and conducts educational activities. She is the president of the Polish chapter of the International Association of Art Critics (AICA)She lives in Krakow.

Iñaki Domingo is a visual artist, a university lecturer, and a professional photographer. His artistic practice is focused in the field of Expanded Photography, with ongoing research on the existing contradictions between the gaze and the representation of reality. His work has been shown in numerous exhibitions, has received several awards, and is part of private and public collections. He also collaborates with public and private institutions and companies developing educational, editorial, and curatorial projects.

Katarzyna Kozyra is the creator of performances, films, video installations, and artistic actions. In 2011, she received a doctoral degree from the Academy of Fine Arts in Warsaw. She is the recipient of Polish Ministry of Culture and National Heritage and Polityka ‘Passport awards (2011, 1997), and has been awarded grants from the DAAD in Berlin and the Kościuszko Foundation in New York (2003, 2000). She received an honorary mention at the 48th Venice Biennale for the video installation The Mens Bathhouse, presented at the Polish Pavilion. Named one of the ten most important artists of the new millennium by The Huffington PostKozyra has through her practice contributed to the development of critical art, impacting the shape of contemporary culture.

Lola Paprocka is a self-taught photographer with a practice centring on documentary imagery. Her focus is on creating work with sentimental narratives that are authentic and honest in their representation of the subject whilst retaining a personal aesthetic that is clean and unfussy. Many of her projects focus on the theme of adolescence and the interactions of friendship groups among youths, especially those from marginalised communities and subcultures. She is a curator, founder, and creative director of Palm* Studios, a London-based publisher and online platform focusing on photography. Lolas work has been exhibited worldwide, including in galleries in London, Melbourne, New York, Warsaw, and Paris.

Clare Strand is a British artist working with and against the photographic medium. Over the past two decades she has worked with found imagery, kinetic machinery, web programmes, fairground attractions, and, most recently, large-scale paintings. She often rejects the subject-based qualities and immediate demand of information so often associated with the photographic image, instead unapologetically adopting and welcoming a subtle, slow-burn approach. Her work is held in collections including those of MoMA NYSFMOMAthe V&A, Centre Pompidou, and the NY Public Library. She has produced three publications: Clare Strand Monograph (Steidl2009), Skirts (GOST2014), and Girl Plays with Snake (Mack2017). She is also one half of the collaborative partnership MacDonaldStrand and Head of the Intangible for The Institute of Unnecessary Research. 

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